hopes/dreams/fears: A Global Public Art Potluck

A Wordle of all the hopes/dreams/fears entries. Click to view larger.

Summary
Over two months ago, @Platea kicked off Project III: hopes/dreams/fears, a global online public art project formally launched in New York City during a presentation at the Brooklyn Museum and a public installation at the FIGMENT NYC arts festival on Governor's Island. I was looking for something low-key and community-driven for the summer, as so many people spend their time outdoors this time of year.

We meant to run till the end of July but extended it to almost the end of August (it's in fact still going), with crowdsourced hopes, dreams and fears from communities 'round the world adding up to so much more than I, well, had hoped and dreamed for. Here's where we netted out:

Total hopes/dreams/fears? 552.

Some 200 hopes, 150 dreams, and 175 fears (there were some combination ones, which is why the numbers are fuzzy)

Average age of participants: 31 years old
The youngest at age 5, the oldest at age 82
And two pets!

Nearly 20 countries across 4 continents, though concentrated mainly in North America, western Europe and Australia and New Zealand, as mapped out here:

A Collective Unconscious
In many ways, this project has been done before. The ever-popular Post Secret no doubt rested in the back of my mind as we developed the concept, and just today we saw the launch of the Dirty Laundry project. Tapping the Internet for anonymous thoughts is a popular project, but in the wake of a global economic crisis and the rise of social media, I wanted to try this project within the context of the news feed, which has become the central gateway to the Internet for many, if not most, people online these days.

It used to be said that on the Internet, no one knows you're a dog. But these days, with intertwined Facebook networks and shared RSS feeds and verified email addresses, everyone not only knows you're dog, but who your parents are and where you went to school. The idea of anonymity on the Internet is quickly fading away.

This is certainly a good thing. The early 90's fears of the Internet have soon morphed into openness about the idea of a mobile, connected world. And yet, there's a cost, isn't there, and that's the idea of a truly honest dialogue. Status updates these days are so ironic and detached because we don't know who will see what, and it can be difficult to truly expose ourselves to the world.

I think back to my school days, to etchings on the backs of chairs and in bathroom stalls, or to today's brand of street art, as much political as it is an expression of self or group identity. Anonymity can breed a certain level of honesty and deep connection. What I wanted to see is how the Facebook news feed, the Fifth Avenue of the Internet, could serve as a channel for anonymous expression, embedded within the otherwise known entities on most people's friends lists. Does the occasional interruption of one's feed lead to a different experience than, say, manually visiting a blog?

Here were some that caught my eye:

Anonymous hopes that my son will be happy in this world and be able to love other and himself. (NYC 20)

Kazue hopes for ice cream in my hand right now. (Kobe, Japan 36)

Lindsay dreams of being a mother (Winchester 42)

C. Avevedo dreams of crime disappearing (Puerto Rico 16)

k.sparkle fears she will always censor herself in both writing and life. (Carbondale, IL 22)

PG Stonefly fears going backwards (Westbury, Australia 36)

And so many more, day after day, started coming in, and as we posted them to the feed, I started to see honest responses, ironic responses, humorous ones and heartbreaking ones, both current and regional and timeless and universal. Jonny Gray put it best:

As with all of these "crowdsourced," on-line art projects, there is an openness to what constitutes a hope, a fear, or a dream. People will offer these statements as they will. My particular interest is in hearing folks address the prompt as if there are no backslashes between the terms -- as if they run together. What is your hope that is also a fear? What is your dream that embodies both elements of desire and anxiety? As the Tarot suggests, before we can predict the future (however loosely) we must address and assess our hopes AND/or fears.

A page from Jonny's hopes/dreams/fears journal, which he's been passing around the Carbondale, IL, area. See more at the hopes/dreams/fears Facebook page.

A Global Public Art Potluck
Ostensibly, what I wanted to explore was ambient awareness, i.e., how the aggregate of little details can lead to something of a picture of an individual. Could ambient awareness apply to a global community? That's a question I pose to you who experienced the project, but as it picked up, I also realized we were exploring something else: networked public art across continents.

The project began in New York, first during a presentation at the Brooklyn Museum and then at Figment 2009, as @Platea members on the east coast gathered attendees hopes, dreams and fears. We collected more than 200 from people of all walks of life attending the fair. Concurrently, however, we had physical gatherings in Carbondale, IL, with Jonny Gray, who passed out his hopes/dreams/fears journal, and during Worldwide Knit in Public Days with Ingrid Murnane. Christi Nielsen passed out hopes/dreams/fears slips to folks attending Los Angeles's downtown art walk.


h/d/f collection at a cornershop in Winchester, via @innym


Here's what Ingrid had to say:

World Wide Knit in Public Days fell on the 13th and 14th June this year. As part of a library outreach exhibition in Winchester, UK, I taught people to knit. Set up like a living room,’ there were plenty of places to sit and look at patterns from the library or read knitting books. An exhibition of knitted objects from the Knitting Reference Library handling collection were suspended from fishing line in the large bay window and duplicate vintage patterns displayed in the windows. I was invigilating for a good part of the week, and knitted in public like never before (and knitted over half a cardigan). I think that some people thought that we were an art installation, and certainly it felt like that at times!

While there, I collected the hopes, dreams and fears of the exhibition visitors and new knitters. Though at first trepidatious, both young and old took part. Writing their thoughts on slips of paper, they added them to a large brown envelope. Whether living up to the stereotyped English reserve or not, there were plenty who felt that they shouldn’t let anyone else know their inner emotions. Although they didn’t take part at the Knitting Room, some said that they would add their hopes/dreams/fears online. A few people were so embarrassed by the idea of writing their hopes, dreams and fears on paper that they blushed and left the exhibition saying ‘No, I just don’t do that kind of thing.’ I felt as if I was asking too much sometimes; intruding on their inner sanctums. I did wonder afterwards if it was because they knew that I would read them; that I would make a judgement on them.

The hopes, dreams and fears that I collected in Winchester ranged from outright funny to deeply sad and poignant. I’d like to thank all of the exhibition visitors for taking part: I know it wasn’t easy for a lot of you.

Shortly afterward, gatherings popped up at a mall in Hatillo, Puerto Rico, during a dinner party in Australia, even online on Second Life, and folks across the Internet directly entered in their own hopes, dreams and fears. John Casey is working on a Facebook application that will allow the project to continue into perpetuity (stay tuned for more details!). And that's when I started to realize that the hopes/dreams/fears project was becoming a study in global public art, in art that leverages the power of social media to build a global community both online and off.


Nettrice Gaskins's @Platea installation on Second Life

The phrase "global potluck" came to mind recently. In a traditional potluck dinner, people sign up to bring different types of food. Some will go all out and slave over the oven all day, producing a fabulous casserole that would rival any five star chef. Others will make bring their family's secret pasta recipe and a salad. And some will bring chips and soda and good company. Each person contributes to the collective dinner according to their means and talents. In so many ways, hopes/dreams/fears evolved into a global potluck dinner, a public art project where each person shared only as much as they felt comfortable, whether it be a quick anonymous hope or a fully-organized gathering in their part of the world.

As I wrote recently in Art21 Blog, the runaway success of Antony Gormley's One & Other points to how the everyone-can-play ethic of social media is spilling into the art world, as tens of thousands enter a lottery to try their hand at contemporary public performance art. With hopes/dreams/fears, a project that allowed for numerous levels of involvement, this public art project took shape in both the physical and digital worlds, around the world and within local communities, and I was thrilled with how it's come out.

We may rely heavily on the Internet, but we cannot touch it, taste it or experience the indescribable feeling of togetherness that one gleans from face-to-face interac­tion, from the reassuring sensation of being among a crowd of one's neighbors. Seeing one another in these situations reinforces the importance of sharing resources, of working together, of bal­ancing our own needs with those of others. Online, these values become notions that are much more easily suspended to further our own self-interest. Not surprisingly, political movements that begin online must have a real-world component; otherwise they evaporate and dissolve into the blur of other activities.

John Freeman in the Wall Street Journal

The next @Platea project will be announced next week, and it will take us back into the realm of public performance online. But I'd love hear what you've thought so far about hopes/dreams/fears, especially as someone who's been following the feed. Please feel free to leave your comments here. And of course, we are still posting h/d/f's onto the Facebook page and the @Platea Twitter feed, so if you aren't doing so yet, please add yourself!

A Foam Board, a Parking Lot and Some Hopes/Dreams/Fears, by Jorge Álvarez

“Surely this will work!”

After participating in @Platea’s very fun and interesting Project II: Co-Modify I was understandably quite excited to be part of their next project. So as my part for Project III: hopes/dreams/fears I decided to go out to the mall and gather as many h/d/f’s as I could. The idea was to set up a small table in a corner with a little sign to attract people. I would have little pieces of paper with the project info to hand out and a foam board or two for people to write their h/d/f’s.

I figured that the mall was an excellent place to find people from a variety of backgrounds and would give a good sense of what the public was thinking, which would prove quite useful for the project. I was most curious about how current events would affect people’s h/d/f’s. Would the swine flu, the economic crisis or other current events dominate in the h/d/f’s? Or would the test on Friday (hey, some people take summer classes) be more fresh on someone’s mind?

The Reality…

So maybe this wasn’t going to be as easy as I first thought.

I went out with my good friend, her camera, a small foldable table, and a handful of markers to Mayagüez Mall, near where I study to start the gathering. I figured if I simply set up the table without asking for permission I would get kicked out quite fast and no good would come from it. I probably should’ve done this anyways. Once at the mall offices, I got about three whole words out before the lady at the desk started shaking her head. Not even in the parking lot. So I did what anyone in this situation would’ve done: went to Borders and spent a few hours looking at books.

Back in my hometown of Hatillo, the next day I went to the local mall to try out my luck. The lady there was in a much better mood and told me I had to talk to the marketing manager for permission, who unfortunately was still on vacation for the next two days. After checking at another mall with no luck, I decided to wait. Two days later I am finally ready to grab some h/d/f’s and was determined to get them that day no matter how. By then I decided to scrap the table and simply hold the foam board Free Hugs-style (I had done this before, asking for huggers to sign the board, with much success).

After walking around the mall for an hour waiting for the manager, I was finally told today was “not a good day” for it because there was too much traffic in the aisles (“But that is why today is perfect!”), that she would contact me in a few weeks and I could probably do it then. No good. Next destination: Walgreens!

Jorge hopes he doesn’t contract the swine flu doing h/d/f’s… (23, Hatillo, PR)

Did I mention this was the day they officially reported the first swine flu death in Puerto Rico? Yeah, only once I got there did I realize I was going to where most people with flu symptoms go to buy a bottle of NyQuil (heavenly NyQuil...). I, however, was set on doing this. After talking to the manager I was given the green light to do it… only I had to do it in the parking lot (~ 90° of delicious tropical sun). I didn’t care at this point.

So armed with a foam board, a handful of markers, a disposable camera (my friend wasn’t available) and my trusty bottle of hand sanitizer I picked a corner, and sort of looking like I was asking for money began my quest for some h/d/f’s.

Results

It’s to be expected that many will have “world peace” at the top of their list, and sure enough the first person to not give me a weirded out look and participate (ok, maybe she did give me the look) hoped for exactly this. After this first participant I realized that h/d/f’s is a lot more writing than just signing your name after a hug, but the foam board setup helped keep them at “status update” length, which worked very well.

A lot of people looked sort of scared and some annoyed when they saw me holding the board or when I asked them if they wanted to participate. This combined with the guy that was selling raffle tickets (I got him to write his own h/d/f’s) and the guy that was actually just asking for money made it all rather difficult. I was getting about 1 participant in every 20 that walked by me, and I had to resort to saying that I wasn’t asking for money at all.

The people most willing to participate tended to be young parents with their kids. Their h/d/f’s tended to revolve around providing for their kids and worry of their kids coming to harm. Another group that shared their h/d/f’s were the younger crowd, between 11 and 20 years old. It was interesting to see they focused mostly on their dreams or hopes, which consisted mainly of their career aspirations and studies (e.g. “I dream of becoming a pro skater,” “I hope to become a doctor,” etc.).

A very consistent subject was religion, or God, to be more specific. This actually surprised me a little since I wasn’t really expecting it, but makes sense, since Puerto Rican culture tends to be very religion oriented. I did get various participants talk to me about God and one even included me on his dream of eternal life for his family. One confusing lady told me she liked the project a lot and thought it was sweet, but wouldn’t participate because “It’s only God’s place to look into people’s hearts and minds” and then proceeded to preach to me for about 5 minutes.

However, what I found most surprising was the fact that not a lot of participants mentioned the swine flu or the economy (not counting the ones about winning the lotto). I figured since these were the most current or impactful happenings, they would sort of “override” most people’s hopes or fears.

So, what did I learn?

Well, it’s hard to tell. Personally I learned that a hand sanitizer bottle really helps me calm down, people tend to be in a rush when going to the drugstore, and older people tend to distrust younger ones with a foam board reading “hopes fears dreams”. Keep in mind, however, this is an ongoing project and it helps to look at it as a whole, instead of our individual attempts, to really get a sense of the hopes, dreams and fears of people. The steady trickling of individual h/d/f’s on @Platea’s hopes/dreams/fears page on Facebook or their Twitter feed, little by little reveals a bigger picture of the thoughts and feelings from around the world.

Be sure to come back for future posts from other participants on the project. There is already a great post by our friend D. (@sortingtrolley) and I suggest you check it out as well. Feel free to ask anything and comment below or e-mail platea.stweets@gmail.com. And make sure to follow @platea on Twitter!

___

By the way, if any of you were curious, my name is Jorge E. Álvarez and I’m a geology student from Puerto Rico. Also, I like to believe I’m a pirate.

Currently I have no idea of what I want to do with my life, which incidentally turns out to be a great thing for one’s creativity (lots and lots of ideas!). Joining @Platea has been one of the most fun things I’ve done (this sort of thing tends to happen), and has really motivated me to explore my artistic side. If you’re interested you can follow me on Twitter as @whore_hay. Cheers!

The Hopes/Dreams/Fears Dinner Party Down Under, by D. (@sortingtrolley)

The Plan

To celebrate @Platea's superfun Project III: hopes/dreams/fears, I decided to host a h/d/f dinner party. I asked friends to come in fancy dress by interpreting the theme as they wish. My girlfriend J. and I planted objects which represented hopes, and/or dreams, and/or fears around the house to stimulate discussion. These included: a horror DVD, a set of bathroom scales, lottery tickets, an injured patient (made with a CPR dummy and blanket), cotton buds (to represent global warming icecaps - a stretch I know!), a guitar, wedding magazines, and some self-help books.


We also created three posters: one for each theme. The idea was for friends to write, draw and/or brainstorm their h/d/f's during the night in a public fashion. This was in addition to private submissions that were written on printouts (from the h/d/f party pack) which I later submitted online.

The Guests

Interestingly, four of the six of us dressed as fears. We had two Fear of old age, one Dream of travel thwarted by Fear of swine flu, & I was Fear of death. Our glass-half-full friends came in their pyjamas as they Dream to go everywhere in their PJs! Best Accessory Awards must go to L. for her snout, pig ears and curly tail and to M. for his slippers. J. took out Best Prop Award for her colostomy bag.


The dinner conversation

We prepared an Indian dinner I hoped and dreamed would be a success. My fears were alleviated and it was well-received - phew! Although one guest noted on the group Fears poster that their fear was "being served Indian by someone dressed as Death". These posters were perhaps helpful, as another brave (or possibly drunk) guest confronted their fear of eyeliner by using it to scrawl "eyeliner" on the fears poster.

An example of a common fear was "not being liked"- it was great to discuss such neuroses so candidly with friends. We also acknowledged while we dream of being financially stable, our hope for general good health and happiness, and our fear of tragedy out way any financial wants. I enjoyed brainstorming our h/d/f's with each other: again it was interesting to note we had more fears than hopes or dreams.

Prompted by this observation, we had a long discussion about whether it is perhaps "Australian," as in culture-specific, to focus on fears rather than on goals, hopes and/or dreams. In my humble opinion, Australians generally emphasise our frailties over our successes. We equate self-promotion and ambition with ego-mania. The discussion concluded that it is Australian to sell yourself short and that we think it is arrogant to dream. Then we laughed and wondered if we're just too lazy to have ambitions. Or is it that we fear sharing them? We spoke about Australia's rampant Tall Poppy Syndrome and our belief that being Australian means being represented as politically apathetic and culturally stunted.


Poignantly, we had an Australian flag displayed as a fear. To some people in Australia--and more importantly in this example, amongst most of the friends I have--, the Australian flag has become a symbol of redneck pride spearheaded by the ugly Cronulla Riots. The flag generated interesting discussions about (some) Australians being embarrassed at being Australian, specifically when we consider some of our social and political history and present. Of course, discussion came full circle to apathy because we all still live here, and very comfortably too, and hardly ever protest our democratically-elected government's policies. I for one often hide behind the apathy-as-default tag because exercise/promotion/saving money/political change is "just too hard". Finally we agreed we were all just lazy and had another glass of wine. Then we danced to another fear of death reference: Michael Jackson. However, contrary to aforementioned "typical Australian attitudes," I am very proud to say our dancing was amazingly excellent, and frankly we outclassed the King of Pop's legendary Motown "Performance".


This bag was the depository of our individual paper slips on which were penned our private hopes, dreams and fears. I was so pleased that during this writing session most people shared with one person, if not all, at least one of their h/d/f's. Of equal importance is the fact that people kept a couple of h/d/f's to themselves: permitting an opportunity to 'silently voice' their most personal h/d/f's. I'm proud of, and thankful to, my friends that their most secret h/d/f's which were not just shared verbally with close friends but were also granted permission to be shared with friends and strangers on the hopes/dreams/fears facebook page & via @Platea's twitter stream. In my mind, a hope or a dream or a fear admitted to oneself is cathartic--it is proof that we are learning to understand ourselves. A hope or a dream or a fear shared with friends and with strangers is a catalyst for change--it is proof that we are yearning to understand others.


....


By means of introduction... Hello! my name is D. & I live in Australia. Playing with the @Platea team especially warms the part of me that once lived on the stage. I love exploring the notion of performing online, and we've formed a lovely community on twitter (and on flickr, facebook, tumblr, etc). As a bonus, these performances also facilitate my penchant for wearing eyeliner.

Nowadays you can find me working in your local public library. Come in, say hi and support your local library: we've been shush-free for 11 years. You can find me @sortingtrolley on twitter.

Recently submitted your hope/dream/fear?

Join us on the hopes/dreams/fears Facebook group at http://tr.im/n6KP.

hopes/dreams/fears on Facebook

Then, gather your friends together and encourage them to participate in hopes/dreams/fears. Here's a sample blurb you can share out:

Hi!

I'm participating in an online public art project and hope you can join. It's called "hopes/dreams/fears", and I hope you can join me. All you have to do is:

1. Fill out the form at http://tinyurl.com/kj75lc.

2. Join the hopes/dreams/fears Facebook group at http://tr.im/n6KP.

3. Wait to see yours and others' hopes, dreams and fears broadcast over the next month and a half in your Facebook feed.

"hopes/dreams/fears" began in New York City on June 12 during the FIGMENT NYC arts festival on Governor's Island and runs till the end of July with participants across the world. Members of online public art collective @Platea are gathering individuals' hopes, dreams and fears in the form of status update language (i.e., "Jessica hopes that she graduates with honors next year." "Fred fears he might lose his job due to the recession"). These will then be broadcast to a broader audience via a Facebook page, with the goal of uniting diverse groups via social media and offering a collective picture of communities' hopes, dreams and fears during this time of economic crisis and transition.

To learn more about @Platea, please visit http://plateastweets.blogspot.com.

Project III: hopes/dreams/fears

Governor's Island, via mjpeacecorps on Flickr

The Concept
After such a strong performance with Co-Modify, I'm pleased to announce @Platea's next public art project, "hopes/dreams/fears". We're moving away from performance per se this time around and are trying a new direction: public participatory art with both digital and physical aspects.

As those of us who use social media know, the collected status updates of an individual over time can paint a picture of who he or she is. We get a sense of his or her life's ups and downs, lunch and dinner preferences, social life and travel schedule, and so much more. Over time, even if you've never met this person, you feel like you know so much about him or her. It's an idea often referred to as "ambient awareness": the aggregate of little details leads to something of a picture of an individual.

At the same time, I do wonder about the power of social media in connecting the world, when most of our social media activity is self-selected. Yes, everyone from the Hollywood glitterati to the homeless and struggling use the Internet, but are we really connecting with each other, or are we just following our friends and a few random strangers?

I'm curious about the power of ambient awareness and how it might apply to broad communities of strangers. What if were able to bring together hundreds, perhaps thousands, of status updates, many of which can come from those who don't even use social media to begin with, into one feed? This feed would show a wide breadth of life perspectives and lifestyles and would bring together disparate groups who don't normally interact.

Hence, @Platea Project III: "hopes/dreams/fears".

"hopes/dreams/fears" is a global online public art project being formally launched in New York City starting June 12 during the FIGMENT NYC arts festival on Governor's Island and running till the end of July with crowdsourced hopes, dreams and fears from other communities. Members of online public art collective @Platea are gathering individuals' hopes, dreams and fears in the form of status update language (i.e., "Jessica hopes that she graduates with honors next year." "Fred fears he might lose his job due to the recession").

These will then be broadcast to a broader audience via a Facebook page, with the goal of uniting diverse groups via social media and offering a collective picture of communities' hopes, dreams and fears during this time of economic crisis and transition. In particular, as status updates can seem so ironic or detached at times, the process of formulating these updates into the language of hopes, dreams and fears can hopefully help us get at the deeper consciousness of communities around the world.

via carf on Flickr

How to Participate
Interested? First, be sure to add the hopes/dreams/fears page on Facebook. This will ensure you see individuals' hopes, dreams and fears appear in your news feed over the next month and a half.

Secondly, help us gather your community's hopes, dreams and fears. Here are a few options:

* Join us in New York City during the FIGMENT NYC festival June 12-14 on Governor's Island. FIGMENT is an annual participatory arts event with artwork in every medium, from installation to performance to music to games and many things in between. To volunteer your time and help gather the hopes, dreams and fears of the thousands of individual in attendance, please contact An Xiao at thatwaszen@gmail.com.

* Form your own "hopes/dreams/fears" gathering in person. Have a community fair or coffee shop where you could host your h/d/f gathering? Some ideas include setting up a table in a local coffee shop during a poetry reading, hosting a dinner party or get-together, participating in a community fair, or any number of summer activities. Some of these can be large events or small events. Everything you need to get your in-person gathering started can be found on this PDF. Then, input folks' h/d/f into our form at http://tinyurl.com/kj75lc. If you have a particularly large number of participants and using the form would be cumbersome, please email us platea.stweets@gmail.com. We will be accepting h/d/f till mid-July for broadcast into the Facebook feed.

* Form your gathering online. Are you part of a Facebook group or online message board system? Gather your friends together and encourage them to participate in hopes/dreams/fears. Here's a sample blurb you can post:

Hi!

I'm participating in an online public art project and hope you can join. It's called "hopes/dreams/fears", and I hope you can join me. All you have to do is:

1. Fill out the form at http://tinyurl.com/kj75lc.

2. Join the hopes/dreams/fears Facebook group at http://tr.im/n6KP.

3. Wait to see yours and others' hopes, dreams and fears broadcast over the next month and a half in your Facebook feed.

"hopes/dreams/fears" began in New York City on June 12 during the FIGMENT NYC arts festival on Governor's Island and runs till the end of July with participants across the world. Members of online public art collective @Platea are gathering individuals' hopes, dreams and fears in the form of status update language (i.e., "Jessica hopes that she graduates with honors next year." "Fred fears he might lose his job due to the recession"). These will then be broadcast to a broader audience via a Facebook page, with the goal of uniting diverse groups via social media and offering a collective picture of communities' hopes, dreams and fears during this time of economic crisis and transition.

To learn more about @Platea, please visit http://plateastweets.blogspot.com.

* Fill out your hope/dream/fear and share the link with others. Too busy to organize a gathering? Not a problem! Just send in your own hope/dream/fear with the following spreadsheet: http://tinyurl.com/kj75lc. You can even send out a tweet or status update to your friends to encourage them to join at the following link: http://tinyurl.com/kj75lc.

Then, be sure to do these very important things:

1. Add the hopes/dreams/fears page on Facebook. This will ensure you see individuals' hopes, dreams and fears appear in your news feed over the next month and a half.

2. And if you plan to form a gathering, leave a comment and let us know how you'll be participating. That way, we'll know to expect your h/d/f and can be in touch to coordinate when they will be posted.

via Rock Alien on Flickr

Frequently Asked Questions

Can I submit a hope/dream/fear in a language other than English?
Yes! Our steering committee speaks, to varying degrees, Spanish, French, Italian, Mandarin and Cantonese, and we'll do our best to post your hope/dream/fear even if it's in a different language.

Is there anything I can't say?
Not really! We simply ask that you avoid defamatory language. We don't wish to censor folks' thoughts, but we do want to be respectful of the kids and families who will be submitting their hopes/dreams/fears and following the Facebook page.

I'm organizing my own online/offline gathering. Do I have to use the exact language/PDF you provided?
Not at all - they are simply suggestions to help get you started. The most important part is that we receive your gathering's hopes, dreams and fears in status update format. Just be sure to leave a comment so we know you'll be participating.

What happens to the hopes/dreams/fears after they're posted?
Like any Facebook status update, they are thrown into the Internet ether. We're not sure what Facebook does with status updates, but they're probably kept in a server somewhere. We will only be posting these updates using individuals' first names, and we're giving everyone the option to post a pseudonym instead of their actual name.

What's the latest you'll accept hopes/dreams/fears from me/my community?
We will be accepting them till mid-July for broadcast into the Facebook feed. We don't have a firm date just yet until we get a better sense of how many folks will be participating.

I have more questions. How do I get them answered?
Leave a comment here!